A Comparative-Typological Study of the Cultural and Aesthetic Values of Music in English and Uzbek Contexts

Authors

  • G. Y. Yusupova International School of Science, Finance and Technology, Teacher; Independent Researcher, UzSWLU

Keywords:

Cultural legacy, aesthetic expression, musical hybridism, English folk and pop music, Uzbek maqom, emotive aesthetics, musical identity, globalization, cultural continuity—keywords.

Abstract

Through emotional expression, historical memory, and identity building, music serves as a deep cultural artifact connecting many civilizations. Using a comparative-typological method, this paper investigates the cultural and aesthetic aspects of music in English and Uzbek settings. The study emphasizes important parallels and distinctions by means of historical development, musical structures, transmission techniques, and modern changes. Results show that although music globally preserves legacy and elicits emotional reactions, English and Uzbek musical practices vary greatly in aesthetic frameworks, instruments, and routes of cultural transmission.

References

Ang, I., & Blackburn, G. (2012). Popular music and cultural identity: England and beyond.

Bickford, T. (2007). Emotion and harmony in Western musical traditions.

Frith, S. (1996). Performing Rites: On the Value of Popular Music.

Kelmendi, E. (2024). Contemporary Trends in Central Asian Music.

Merchant, E. (2009). Maqom Traditions in Uzbekistan: Cultural Preservation and Change.

Oripova, M. (n.d.). Uzbek Classical Music and the Maqom Legacy.

Small, C. (1998). Musicking: The Meanings of Performing and Listening.

Uzbek Music's Separate Path: Interpreting “Anticosmopolitanism” in Stalinist Central Asia, 1949–52

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Published

2025-04-30

How to Cite

G. Y. Yusupova. (2025). A Comparative-Typological Study of the Cultural and Aesthetic Values of Music in English and Uzbek Contexts. International Journal of Scientific Trends, 3(4), 139–142. Retrieved from https://scientifictrends.org/index.php/ijst/article/view/543

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