The Issue of Sound Row (Tuning-Scale) in Eastern Music Theory

Authors

  • Rasulov Ma’rufjon Mamirjon ogli Associate Professor, Department of Music Art, Faculty of Sports and Arts, Andijan State University

Keywords:

Pythagoras, Farabi, Ibn Sina, Jami, Garbuzov, Uzeyir Hajibeyov, Belyayev, Uspensky, Rajabiy, Sound Row, Microchromatics, Comma, Limma, Cent, Temperament, Lute, Absolute, Zaid, Mujannab, Sabboba, Vustai Furs Vustan Zalzal, Binsir, Khinsir.

Abstract

One of the main pillars of music, besides rhythm, is the mode or sound row. Therefore, historically, the issue of sound rows has always been significant in music theory and practice. In the theoretical teachings and musical treatises of scholars from all eras, there are scientific views regarding the formation and creation of sound rows. Some of these scientific views differ from one another, while others are based on the same theoretical foundation.

References

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Published

2024-12-17

How to Cite

Rasulov Ma’rufjon Mamirjon ogli. (2024). The Issue of Sound Row (Tuning-Scale) in Eastern Music Theory. International Journal of Scientific Trends, 3(12), 134–139. Retrieved from http://scientifictrends.org/index.php/ijst/article/view/363

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Articles